Grace and Garbo – Icons of Their Time Become Tomorrow’s Design Classics
Johanson Design and Alexander Lervik are proud to present a chair and an armchair inspired by the iconic design periods of the 20th century and developed using AI in the initial creative process – a combination of history and innovation set to debut at the Stockholm Furniture Fair.
Johanson Design and Alexander Lervik continue their successful collaboration with the launch of two new models – the Garbo armchair and the Grace chair – making their first appearance at the Stockholm Furniture Fair. Grace and Garbo draw inspiration from the iconic design eras of Art Deco and Bauhaus, providing the furniture with a historical foundation while adapting them to contemporary settings.
A Creative Process with AI
The launch of Grace and Garbo also highlights an innovative design process. Starting with hand-drawn sketches, Alexander Lervik used AI for the first time to create 3D models based on his ideas. These models were then manually refined to achieve the perfect balance between form and function.
“This project has truly demonstrated how new technology can complement the design process and create unique expressions. The AI method allowed me to explore shapes and details that might not have emerged otherwise. The Grace chair posed a technical challenge with its advanced frame and flowing backrest, while the Garbo armchair, with its fan-shaped back, offers a generous and inviting comfort that feels both modern and timeless,” says Alexander Lervik.
Historical Inspiration and Timeless Names
The design of Grace and Garbo has been influenced by the cultural and aesthetic styles of the early 20th century. The names of the furniture pieces also stem from this era, inspired by two iconic film stars, Greta Garbo and Grace Kelly.
The names were chosen when Lervik prepared his presentation for Johanson, drawing inspiration from a classic stage performance from the same era. Garbo and Kelly remain symbols of timeless elegance and character – qualities reflected in the design of the furniture.
“I see Grace and Garbo as the beginning of something bigger. There are exciting possibilities to further develop the series – for example, with bar stools and other complementary pieces. The shapes and expressions of these pieces invite further variations, but where it leads remains to be seen,” says Alexander Lervik.
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